How to Develop and write a short film – Lesson 3 of 10
The
by Tom Graziani
THE ENVIRONMENT
We return on this short movie: This Time We Will Deal with Another essential element of good writing and to create a video product quality: The Environment.
Write Means and scene to live in and the place Defined Some specific spatial parameters. And the emotions, and prairie or a spacecraft, the name and few. The space environment of a shot Can Be Of Three types: natural (ie based on the use of an existing site and play for what it is), partially modified (Which includes the Addition of Other scenes or elements from / to the scene required) or artificial (ie Completely rebuilt with a show, computer graphics, greenscreen, chroma key etc. …)
The correct analysis of the environmental factor is Crucial to Improve the writing, and then shot. It is ook essential to balance the Relationship Between Figures and the Surrounding area. The goal of turning is framed in the environment: from a simple “container” and dynamic instrument Which is Necessary for the characterization of the scene, then for a Successful Recovery. Through the use of Light and Other Tools extradiegetici (ie outside) the Director of Photography CAN then Give Meaning and strength (even visual) environment framed.
The area of a shot May Be based on existing space, or space on a partially / Completely changed: only in the latter case it is correct to speak of setting, ie an environment designed and built according to the Needs of recovery. Today, Modern Developments in technology have Allowed way too radical to pass in this issue. It is rare that movies made in attendentire Studies Prepared by the Methods of greenscreen. The need – Pressing sea – with spectacular Effects Surrealistic setting, the adrenaline shooting Distorted partially the role of the Environment and Has created more and more types of work-oriented modification of the existing. Even for scenes – and here comes the paradox – That Could Easily Be Turned Into Natural Environments If Only You Had the Desire, the time (and Perhaps the budget) that physically ACHIEVE. But this – as a would anyone – is Another Story. Read the full article: http://www.thomasgraziani.com/articoli-editing-compositing-teoria-del -cinema/lambiente-come-ideare-e-scrivere-un-cortometraggio-3-di-10________________________________
For this article we Used the translation tool from Google. Forgive the mistakes That we have not noticed.
About the AuthorThomas Graziani – a filmmaker, video editor, AM. http://www.thomasgraziani.com
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